In hoger beroep bestaat regelmatig onduidelijkheid over de uitleg van de tenlastelegging en de vraag of sprake is van cumulatieve feiten. In deze bijdrage verkennen de auteurs het wettelijk systeem en de mogelijke belangen bij beperking van het hoger beroep. Vervolgens analyseren zij de rechtspraak van de gerechtshoven en doen zij enkele aanbevelingen.

This contribution examines shareholder capitalism and shareholder idealism. It is also argued that excessive rewards – often a result of shareholder capitalism – fuel fraud. Supervisory directors and shareholders should therefore act as a counterforce and fulfil a corrective role.

This article examines expressions of conspicuous consumption on 19 recent releases by the most popular Dutch rap artists of 2018. In line with Veblen’s (1899/2017) notion of conspicuous consumption, our content analysis of these rap lyrics shows that Dutch rappers ‘spend’ their money on all kinds of ostentatious and eye-catching luxury goods such as designer clothing and jewelry (‘drip’), cars or holidays, but also that rappers ‘stack’ some of the money they earn by putting it aside. Our results indicate that these expressions of conspicuous consumption seem to be rooted in, and fueled by, experiences with poverty, stigmatization, and discrimination.

In this article the ways in which philosophers have thought about greed are discussed. From antiquity until the Renaissance greed was considered to be a sin. This immoderate desire had to be stopped because it constitutes a threat to the wellbeing of both an individual and society as a whole. This changed since the beginning of the modern era, when a more positive attitude towards this excessive desire arose. The new opinion was: private vices lead to public benefits, and thus the normalization of an excess came about. Greed no longer was considered to be a sin or vice, but instead to be a harmless passion that had a good effect on the welfare of society. The financial crisis of 2008 may have induced some doubts concerning the idea that greed is good, but a real change in opinion has not yet occurred.

This article discusses the problem of excessive drug use from a historical perspective. Cultural ambivalence towards excessive use of alcohol, tobacco, and drugs has roots going back into the seventeenth century. A case study is presented of the introduction and adaptation of tobacco in the Dutch republic. Dutch national and colonial drug regulation is discussed. It is concluded that regulations have been primarily motivated by anxieties about excessive behaviour among the labouring classes, endangering public order, and non-white users in the colonies. This has led to criminalization of excessive behaviour, and to the creation of a criminal underground economy.

The lifeblood of contemporary consumer capitalism is ever-growing and accelerating human needs for new consumer goods and services. Needs that remain unsatisfied on the one hand but defy the carrying capacity of planet Earth on the other. Anything but a win-win situation. Although excess harms, the infrastructure of consumption pays full service to perpetuate and cultivate the ‘more and faster’ orientation of today’s consumers. It is believed that we can cope with excess by taking efficiency measures and paying attention to recycling and refurbishing. This article, however, points out that there is need to rethink consumption and reconsider prevalent orientations dedicated to excess consumption more fundamentally.

The overexploitation of nature has led to anthropogenic defaunation, which results in complex socioeconomic, political and ecological consequences. Influenced by the economic growth of modernization and the interconnectedness of globalization, zoonotic diseases emerge as incalculable side effects of defaunation. By rejecting anthropocentric worldviews, this article critically examines anthropogenic defaunation and the causes and consequences of the coronavirus pandemic from a green criminological perspective.

Sexualized graffiti has emerged on walls in Brussels since the beginning of 2013, generating fierce debates. Perceived as street art and a welcome challenge to heteropatriarchy by some and as obscenity and vulgarity by others, these pieces highlight the inherently contested character of public spaces. The controversies around the presence of these paintings in public space relate to what in the literature has become known as moral geographies, that is, the spatial aspect of morality. What should one do about these supposed ‘porn’ pieces: regulate their existence and control potential tensions and conflicts, or let frictions emerge between the partisans and the opponents of such urban interventions? Who gets to say what should be tolerated and what should be regulated in public space? In this opinion piece, I situate this issue between two ends: an agonistic one, in which contestation is the rule; and an excessively regulatory one, in which public space is over-rationalized and normalized.