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Criminaliteit en kunst

Betekenisgeving aan verbeeldingen

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2014
Trefwoorden art, exhibition, visual criminology, construction of meaning
Auteurs dr. Gabry Vanderveen
SamenvattingAuteursinformatie

    The recent exhibition The Crime Was Almost Perfect in the Witte de With Center for Contemporary Art in Rotterdam, curated by Cristina Ricupero, focused on the dynamic relation between art (aesthetics) and crime (ethics). The review discusses the representations of crime in (some of) the exhibited art works and analyzes the ways in which the artists play with their (conflicting) meanings, ambivalences and ambiguities.


dr. Gabry Vanderveen
Dr. Gabry Vanderveen is eigenaar van Recht op Beeld, een bureau dat onderzoek, training en advies verzorgt op het gebied van visuele data en methoden in de criminologie in het algemeen en beeldmateriaal in de strafrechtsketen in het bijzonder.
Artikel

Access_open Constantijn Kelk

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2014
Trefwoorden Constantijn Kelk, Constant Nieuwenhuys, compassion, solidarity
Auteurs prof. dr. Willem de Haan
Samenvatting

    In this interview, Contantijn Kelk talks about his life and career in criminal law and the relationship between his work and the fine arts. More specifically, he talks about his friendship with the painter Constant Nieuwenhuys (1920-2005) who, like he himself, in his work demonstrated compassion and solidarity with the suspected, convicted and detained fellow human being.


prof. dr. Willem de Haan
Artikel

De kunst van het verbeelden

Over de relatie tussen beeldende kunst en criminologie

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2014
Trefwoorden visual criminology, fine arts, representation
Auteurs prof. dr. Willem de Haan en prof. dr. René van Swaaningen
SamenvattingAuteursinformatie

    Cultural criminology has shown an interest in the visual representation of perpetrators, victims and scenes of crime and punishment in the media. Relatively little attention has been paid to the visual representation of these subjects in the fine arts, however. This lacuna has been the inspiration for this special issue about the art of representation and the relationship between fine arts and criminology. Questions that are addressed include: What is the importance and meaning of representational art for the criminologist? It is conceivable that a criminological researcher would reformulate his or her research problem due to insights that have been articulated by artists? And, by the same token, is it possible that an artist would revise his or her representation because of scientific research? Or, are the doings of both independent of one another? Ultimately, this special issue is concerned with how representations of perpetrators, victims and scenes of crime and punishment come into being, which meaning these images have in different social and cultural contexts and what we, as criminologists, can contribute to them.


prof. dr. Willem de Haan
Prof. dr. Willem de Haan is emeritus hoogleraar criminologie en senior research fellow bij de afdeling Strafrecht en Criminologie van de Vrije Universiteit te Amsterdam.

prof. dr. René van Swaaningen
Prof. dr. René van Swaaningen is hoogleraar Internationaal Comparatieve Criminologie aan de Erasmus Universiteit Rotterdam en voorzitter van de Nederlandse Vereniging voor Criminologie.
Artikel

Hunting Worlds Turned Upside Down

Paulus Potter’s Life of a Hunter

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2014
Trefwoorden Art, green criminology, non-speciesism, human-animal relationships
Auteurs prof. dr. Piers Beirne en dr. Janine Janssen
SamenvattingAuteursinformatie

    Life of a Hunter (c.1647) is an extraordinary painting by the young Dutch artist Paulus Potter. Its fourteen panels tell the tale of a well-heeled gentleman who likes to hunt and to kill “game” and “exotic” animals. The hunting world is turned upside down when the animals capture the hunter and put him on trial. He is condemned to death, roasted alive and doubtless consumed by the very creatures who had earlier been his quarry. In this essay we try to interpret Potter’s painting. Is it an allegory of the chaotic politics of the mid-17th century Dutch Republic? Does it represent an early modern animal trial? Our tentative conclusion is that Life of a Hunter expresses a Montaignian-inspired moment of transition in cultural attitudes towards human-animal relationships: its restricted vision of animal cruelty is not against animal cruelty tout court and its inversion of two links in the great chain of being is very far from being altogether pro-animal.


prof. dr. Piers Beirne
Prof. dr. Piers Beirne is Professor of Sociology and Legal Studies in the Department of Criminology at the University of Southern Maine. Hij is de founding co-editor van het tijdschrift Theoretical Criminology en de auteur van tal van boeken waaronder Animal Abuse (2009, Rowman and Littlefield).

dr. Janine Janssen
Dr. Janine Janssen is hoofd onderzoek van het Landelijk Expertise Centrum Eer Gerelateerd Geweld van de Nederlandse politie en verbonden aan de vakgroep Strafrecht en Criminologie van de Vrije Universiteit in Amsterdam.
Artikel

From graffiti to pixação

Urban protest in Brazil

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2014
Trefwoorden Brazilian graffiti, pichação, pixação, criminalization, resistance
Auteurs Paula Gil Larruscahim
SamenvattingAuteursinformatie

    This paper explores the hypothesis that the process of rupture in Brazilian graffiti writer’s subculture resulting in different groups - pichadores, pixadores and grafiteiros - took place in two different, though complementary, stages. The first stage is the commodification of graffiti by successive media campaigns and its penal control by the state. The second stage - which may be considered as a side effect of the first one - consists of the emergence of a new transgressive pixação movement. Instead of merely writing or tagging their signatures and messages on the walls of the city, they claim the freedom of usage of the urban space and contest the importance that property has in the late modernity context.


Paula Gil Larruscahim
Paula Gil Larruscahim is promovenda binnen het Erasmus Mundus Doctoral Programme on Cultural and Global Criminology aan de Universiteit Utrecht en de University of Kent: www.dcgc.eu.
Artikel

Gezichtsbedrog

Over de verbeelding van kleptomanie

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2014
Trefwoorden Marlene Dumas, Géricault, kleptomania, ethics of representation
Auteurs prof. dr. Willem de Haan
SamenvattingAuteursinformatie

    An analysis is made of how the painting The Kleptomaniac (2005) by Marlene Dumas – especially through its title – represents a certain kind of criminal and what ethical implications this has. A discussion of art historical research on the genesis of the original Portrait of a kleptomaniac (ca. 1820) from which Dumas has taken the title for her painting, is followed by a discussion of the history of the concept of kleptomania in psychiatry and an analysis of how that concept is reproduced by Dumas’ painting and, in particular, its title: The Kleptomaniac. By giving a painting of a male face this title in 2005 a type of criminal is represented in a way that does not do justice to the history of the concept and the phenomenon itself. By mobilizing a contested and obsolete psychiatric concept for an artistic project, the ambiguity which the painter intended is not left intact but, in fact, destroyed by an allusive title which mystifies the subject while having a disorienting effect on the viewer of the painting.


prof. dr. Willem de Haan
Prof. dr. Willem de Haan is emeritus hoogleraar criminologie en senior research fellow bij de afdeling Strafrecht en Criminologie van de Vrije Universiteit te Amsterdam.
Artikel

Vagebonden in woorden en daden, én in beelden

Van deerniswekkende drommel via vrijheidslievende romanticus tot zorgwekkende zorgmijder

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2014
Trefwoorden Beggars, Tramps, Vagrancy, Vagabonds, visual arts
Auteurs prof. dr. Frans Koenraadt
SamenvattingAuteursinformatie

    Vagabonds, mainly relating to beggars and vagrants, have occupied the Western European social and criminal landscape by the ages. In this contribution some long term patterns – from the Middle Ages onwards – are investigated. The central questions are a) What is the place vagabonds occupied in society? and b) How was dealt with them in the past centuries? In order to answer these questions the perception of and the distinction between true and false beggars and vagrants are included. In addition to penal and criminological sources also those from the visual arts (history) are applied. Answering these questions shows a process of increasing institutionalization seeing a pattern of social exclusion to institutional confinement. An important role in the institutionalization is reserved for the interference of criminal law.


prof. dr. Frans Koenraadt
Prof. dr. Frans Koenraadt is hoogleraar forensische psychiatrie en psychologie aan de Universiteit Utrecht. Hij is als wetenschappelijk adviseur werkzaam in het Pieter Baan Centrum (NIFP) te Utrecht en bij de Forensisch Psychiatrische Kliniek te Assen, Drenthe. Hij is tevens zelfstandig gevestigd in zijn eigen praktijk voor forensische psychologie in Amsterdam. Hij is hoofdopleider van de profielopleiding Forensische psychologie van de RINO Noord Holland te Amsterdam.
Artikel

Verzet. Een inleiding

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 1 2014
Trefwoorden Birmingham School, Critical Criminology, commodification, Occupy, hackers
Auteurs Dr. Frank van Gemert en Dr. mr. Marc Schuilenburg
SamenvattingAuteursinformatie

    In the introduction of the special issue of the Journal on Crime & Culture on ‘Resistance’, the editors focus on the theoretical history of the concept of resistance in the field of Criminology. Against the background of the Birmingham School and the themes and ideas of Critical Criminology, the authors argue that new issues are rebelled against, and new styles and rituals become en vogue. The street fighting man on the barricades is no longer the obvious icon, and resistance is not per se intergenerational, interclass or a confrontation between minorities and mainstream culture. Resistance may have epidemic proportions as the Arabic Spring. Movements like Occupy or WikiLeaks operate across borders, but resistance also includes subtle transgressions within organizations.


Dr. Frank van Gemert
Dr. Frank van Gemert werkt als universitair docent bij de sectie Criminologie van de Vrije Universiteit te Amsterdam. E-mail: f.h.m.van.gemert@vu.nl

Dr. mr. Marc Schuilenburg
Dr. mr. Marc Schuilenburg is als universitair docent verbonden aan de sectie Criminologie van de Vrije Universiteit te Amsterdam. E-mail: m.b.schuilenburg@vu.nl
Artikel

Commodifying compliance? UK urban music and the new mediascape

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 1 2014
Trefwoorden street culture, Grime, frustration, defiance, resistance
Auteurs Dr. Jonathan Ilan
SamenvattingAuteursinformatie

    Subcultural theory and cultural criminology have traditionally viewed ‘underground’ youth movements as providing images of deviance/resistance which the cultural industries harvest to turn a profit. The logic follows that street and sub cultures imbue products with a ‘transgressive edge’ that increases their appeal within youth markets. This paper uses the example of UK ‘grime’ music to demonstrate how this dynamic cannot be viewed as applying universally in contemporary times. Where their street orientated content is censured, many grime artistes express a desire for commercial success which would ultimately emerge through muting their rhetorical links to crime and violence and explicitly championing ‘mainstream’ values. This case is used as an empirical cue to explore the use and critique of the concept of ‘resistance’ within cultural criminology and subcultural theory. The paper problematizes commodification of resistance discourses as they apply to the rugged culture of the streets and indeed its supposed ‘oppositional’ character where disadvantaged urban youth clearly embody and practice the logic of neoliberalism. It furthermore suggests that certain critiques of cultural criminology go too far in denying any meaning to criminality and subcultural practice beyond consumer desire. Ultimately, the concept of ‘defiance’ is suggested as a useful tool to understand the norms of and behaviours of the excluded.


Dr. Jonathan Ilan
Dr. Jonathan Ilan is universitair docent bij de School of Social Policy, Sociology and Social Research, University of Kent (UK). E-mail: j.ilan@kent.ac.uk
Boekbespreking

Over kenmerken van sociale onrust en verzet

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 1 2014
Trefwoorden Social media, Arab Spring, English riots, distributive injustice, procedural injustice
Auteurs Drs. Hans Moors
SamenvattingAuteursinformatie

    Recent scientific literature and media focus on new styles, rituals and instruments in the phenomena of social disorder and resistance. People fight for new issues, in changing in/out group settings, with social media as a means to an end that often is not so obvious from the start. The various, dynamic local contexts define how and why these new ambitions and techniques become trenchant.From a long term perspective patterns and appearances do change, but (perceived) distributive injustice and procedural injustice remain the key drivers motivating social disorder and resistance. Feeding on recent studies about the immediate aftermath of the Second World War (1945), the Arab Spring (2010-2011), and the British ‘Summer of Discontent’ (2011), this article reconsiders the question: what’s new?


Drs. Hans Moors
Drs. Hans Moors is oprichter en partner van Lokaal Centraal – Expertgroep Maatschappelijke Vraagstukken BV. E-mail: hansmoors@lokaalcentraal.com
Artikel

Verzet of collaboratie? Hoe de strijd tegen genocide kan bijdragen aan genocide

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 1 2014
Trefwoorden Rwanda, genocide against the Tutsi, denial, politics of genocide
Auteurs Roland Moerland
SamenvattingAuteursinformatie

    The politization of the concept of genocide by Western states has been severely criticised, because it has led to an impunity for genocidal crimes. In certain instances however, such criticism has contributed to the dynamic of victimization, instead of resisting it. The article discusses how Professor Edward S. Herman and journalist David Peterson’s staunch criticism of the politics of genocide amounts to a brazen denial of the genocide against the Tutsi which recycles much of the extremist discourse of the former Rwandan authorities that were implicated in genocide. In this case Herman and Peterson’s resistance against the politics of genocide has profound implications, several of which the article will address.


Roland Moerland
Mr. Roland Moerland is als docent en onderzoeker verbonden aan de vakgroep Strafrecht en Criminologie van de Faculteit der Rechtsgeleerdheid van de Universiteit Maastricht. E-mail: roland.moerland@ maastrichtuniversity.nl
Artikel

To resist = to create? Some thoughts on the concept of resistance in cultural criminology

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 1 2014
Trefwoorden resistance, create, revolution, cultural criminology, transformation
Auteurs Dr. Keith Hayward en Dr. mr. Marc Schuilenburg
SamenvattingAuteursinformatie

    This article provides a theoretical analysis of the label ‘resistance’. It sets out from the premise that the notion of resistance, although it has been current in criminology for some time, is still vaguely defined. We argue that resistance is not just a negative term, but can also be seen as a positive and creative force in society. As such, the primary function of resistance is to serve as a solvent of doxa, to continuously question obviousness and common sense. In the process of resistance we distinguish three processes: invention, imitation and transformation. The third stage warrants deeper investigation within cultural criminology.


Dr. Keith Hayward
Dr. Keith Hayward is hoogleraar criminologie aan de School of Social Policy, Sociology and Social Research, University of Kent (UK). E-mail: k.j.hayward@kent.ac.uk

Dr. mr. Marc Schuilenburg
Dr. mr. Marc Schuilenburg is als universitair docent verbonden aan de sectie Criminologie van de Vrije Universiteit te Amsterdam. E-mail: m.b.schuilenburg@vu.nl
Artikel

Jusqu’ici tout va bien. Jongeren en de productie van parochiale plaatsen in La Haine

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 1 2014
Trefwoorden La Haine, parochial space, tactics, youth, socialisation
Auteurs Mattias De Backer en Dr. Jenneke Christiaens
SamenvattingAuteursinformatie

    La Haine (Kassovitz, 1995) shows practices of resistance of youngsters in public space. Next to the traditional milieus of socialisation – at home, at school or in institutionalised leisure facilities – youngsters demand their ‘place’ in public space. In doing so, they partly privatise public space (‘parochial space’). In this article we argue that transgressive behaviour of youngsters should be conceptualised as both a side-effect of growing up and socialisation, and as resistance against adult domination, especially in public space. As such, hanging around is cause and effect of control and criminalisation.


Mattias De Backer
Mattias De Backer MSc is onderzoeker bij de vakgroep Criminologie en de onderzoeksgroep Crime & Society van de Vrije Universiteit Brussel. E-mail: mattias.de.backer@vub.ac.be

Dr. Jenneke Christiaens
Dr. Jenneke Christiaens is universitair (hoofd)docent aan de vakgroep Criminologie en verbonden aan de onderzoeksgroep Crime & Society van de Vrije Universiteit Brussel. E-mail: jenneke.christiaens@vub.ac.be
Artikel

Rituelen in krakersverzet

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 1 2014
Trefwoorden Squatters, social movement, rituals, resistance
Auteurs Dr. Frank van Gemert, Deanna Dadusc en Rutger Visser
SamenvattingAuteursinformatie

    This article examines the transformations in form and function of rituals in the squatting movement in Amsterdam. Upon roaring early years, rituals emerged around the search for houses to squat, the actual squatting and evictions. These rituals were recognized and used by squatters as well as other parties and they have contributed to the reduction of violence. Meanwhile, squatting in the Netherlands was prohibited and the question arises if, in this new situation, form and function of rituals have changed too. The findings shed some light on the broader link between rituals and resistance.


Dr. Frank van Gemert
Dr. Frank van Gemert werkt als universitair docent bij de sectie Criminologie van de Vrije Universiteit te Amsterdam. E-mail: f.h.m.van.gemert@vu.nl

Deanna Dadusc
Deanna Dadusc MSc is promovenda bij de Universiteit Utrecht en University of Kent (UK). E-mail: deannadadusc@gmail.com

Rutger Visser
Rutger Visser MSc is freelance onderzoeker, docent criminologie voor het NCOI en verbonden aan de sectie Politiestudies van de Vrije Universiteit te Amsterdam. E-mail: r.s.m.visser@vu.nl
Artikel

‘Resistance Through Rituals’, ‘Policing the Crisis’ and the present conjuncture

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 1 2014
Trefwoorden conjuncture, neo-liberalism, hegemony, subcultures, exceptional state
Auteurs Dr. Tony Jefferson
SamenvattingAuteursinformatie

    This article deals with three questions. What did resistance mean in the 1970s and what does it mean today? Have the rituals of resistance changed over time? What is the status today of moral panic theory? These questions directly refer to ‘Resistance Through Rituals’ (1976) and ‘Policing the Crisis’ (1978). For that reason, one of the authors answers these key questions in a contemporary framework of hegemony, security and neoliberal politics, and points to the continuing relevance of the political and critical tradition of British cultural studies.


Dr. Tony Jefferson
Dr. Tony Jefferson is emeritus hoogleraar aan Keele University (UK). E-mail: tonyjefferson45@gmail.com
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