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Tijdschrift Tijdschrift over Cultuur & Criminaliteit x Jaar 2014 x Rubriek Article x
Artikel

Drie paradigma’s van het menselijke kwaad

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 3 2014
Trefwoorden evil, banality, ideology, responsibility
Auteurs Mr. dr. Klaas Rozemond
SamenvattingAuteursinformatie

    The Classical Paradigm considers evil intentions as a necessary element of human evil, for instance the Holocaust. The Obedience Paradigm states that the main motive of the perpetrators of this evil was obedience to authority. The Ideology Paradigm argues that ideological motives were the main element. This paper tries to show that it is impossible to separate obedience and ideology in the motives of perpetrators like Adolf Eichmann and Otto Ohlendorf. These perpetrators were also conscious of the fact that they violated moral and legal norms. In that sense they had evil intentions and can be held responsible for their crimes.


Mr. dr. Klaas Rozemond
Mr. dr. N. (Klaas) Rozemond is universitair hoofddocent strafrecht aan de Vrije Universiteit Amsterdam.
Artikel

De kunst van het verbeelden

Over de relatie tussen beeldende kunst en criminologie

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2014
Trefwoorden visual criminology, fine arts, representation
Auteurs prof. dr. Willem de Haan en prof. dr. René van Swaaningen
SamenvattingAuteursinformatie

    Cultural criminology has shown an interest in the visual representation of perpetrators, victims and scenes of crime and punishment in the media. Relatively little attention has been paid to the visual representation of these subjects in the fine arts, however. This lacuna has been the inspiration for this special issue about the art of representation and the relationship between fine arts and criminology. Questions that are addressed include: What is the importance and meaning of representational art for the criminologist? It is conceivable that a criminological researcher would reformulate his or her research problem due to insights that have been articulated by artists? And, by the same token, is it possible that an artist would revise his or her representation because of scientific research? Or, are the doings of both independent of one another? Ultimately, this special issue is concerned with how representations of perpetrators, victims and scenes of crime and punishment come into being, which meaning these images have in different social and cultural contexts and what we, as criminologists, can contribute to them.


prof. dr. Willem de Haan
Prof. dr. Willem de Haan is emeritus hoogleraar criminologie en senior research fellow bij de afdeling Strafrecht en Criminologie van de Vrije Universiteit te Amsterdam.

prof. dr. René van Swaaningen
Prof. dr. René van Swaaningen is hoogleraar Internationaal Comparatieve Criminologie aan de Erasmus Universiteit Rotterdam en voorzitter van de Nederlandse Vereniging voor Criminologie.
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