Zoekresultaat: 2 artikelen

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Tijdschrift Tijdschrift over Cultuur & Criminaliteit x Jaar 2014 x Rubriek Article x
Artikel

Hunting Worlds Turned Upside Down

Paulus Potter’s Life of a Hunter

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2014
Trefwoorden Art, green criminology, non-speciesism, human-animal relationships
Auteurs prof. dr. Piers Beirne en dr. Janine Janssen
SamenvattingAuteursinformatie

    Life of a Hunter (c.1647) is an extraordinary painting by the young Dutch artist Paulus Potter. Its fourteen panels tell the tale of a well-heeled gentleman who likes to hunt and to kill “game” and “exotic” animals. The hunting world is turned upside down when the animals capture the hunter and put him on trial. He is condemned to death, roasted alive and doubtless consumed by the very creatures who had earlier been his quarry. In this essay we try to interpret Potter’s painting. Is it an allegory of the chaotic politics of the mid-17th century Dutch Republic? Does it represent an early modern animal trial? Our tentative conclusion is that Life of a Hunter expresses a Montaignian-inspired moment of transition in cultural attitudes towards human-animal relationships: its restricted vision of animal cruelty is not against animal cruelty tout court and its inversion of two links in the great chain of being is very far from being altogether pro-animal.


prof. dr. Piers Beirne
Prof. dr. Piers Beirne is Professor of Sociology and Legal Studies in the Department of Criminology at the University of Southern Maine. Hij is de founding co-editor van het tijdschrift Theoretical Criminology en de auteur van tal van boeken waaronder Animal Abuse (2009, Rowman and Littlefield).

dr. Janine Janssen
Dr. Janine Janssen is hoofd onderzoek van het Landelijk Expertise Centrum Eer Gerelateerd Geweld van de Nederlandse politie en verbonden aan de vakgroep Strafrecht en Criminologie van de Vrije Universiteit in Amsterdam.
Artikel

From graffiti to pixação

Urban protest in Brazil

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2014
Trefwoorden Brazilian graffiti, pichação, pixação, criminalization, resistance
Auteurs Paula Gil Larruscahim
SamenvattingAuteursinformatie

    This paper explores the hypothesis that the process of rupture in Brazilian graffiti writer’s subculture resulting in different groups - pichadores, pixadores and grafiteiros - took place in two different, though complementary, stages. The first stage is the commodification of graffiti by successive media campaigns and its penal control by the state. The second stage - which may be considered as a side effect of the first one - consists of the emergence of a new transgressive pixação movement. Instead of merely writing or tagging their signatures and messages on the walls of the city, they claim the freedom of usage of the urban space and contest the importance that property has in the late modernity context.


Paula Gil Larruscahim
Paula Gil Larruscahim is promovenda binnen het Erasmus Mundus Doctoral Programme on Cultural and Global Criminology aan de Universiteit Utrecht en de University of Kent: www.dcgc.eu.
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