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Artikel

#HOUHETSTRAAT: straatcultuur op social media?

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 3 2017
Trefwoorden street culture, Identity, social media, Performance
Auteurs Dr. Robby Roks en Jeroen van den Broek MSc
SamenvattingAuteursinformatie

    Research on street culture in the Netherlands constitutes an area of relative paucity. Moreover, even less is known about the virtualisation of street culture. In this article, we draw on the social media accounts of a network of delinquent youngsters from Spangen, a neighbourhood in the Dutch city of Rotterdam. Analyzing tweets and images on social media, we found Goffmans (1959) notion of the ‘front’ in three main themes: the importance of the negative image of the locality, the communication of criminality, and emphasizing an oppositional relationship with the police. We argue that these results illustrate the performance of a street identity on social media.


Dr. Robby Roks
Dr. R.A. Roks is als universitair docent verbonden aan de sectie criminologie aan de Erasmus Universiteit Rotterdam. E-mail: roks@law.eur.nl.

Jeroen van den Broek MSc
J.B.A. van den Broek, MSc, is als onderzoeker verbonden aan het Lectoraat Aanpak Jeugdcriminaliteit van Hogeschool Leiden en daarnaast als zelfstandig criminoloog actief vanuit Partner in Crime. E-mail: jbavandenbroek@gmail.com.
Artikel

Thuisdealers, ritselaars en meesnoepers. Bewoners en bezoekers van grootstedelijke crackpanden

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2015
Trefwoorden Crack cocaine, Drug dealing, Ethnography
Auteurs Drs. Petra Houwing, Alberto Oteo Pérez MSc en Prof. dr. Dirk J. Korf
SamenvattingAuteursinformatie

    This article is based on ethnographical research in 24 crack houses in Amsterdam, Rotterdam and The Hague. Crack houses were defined as the homes of crack users where crack is being sold and smoked together with other users. All crack houses were located in disadvantaged, multi-ethnic neighbourhoods. Both residents and visitors were men and women, middle-aged, of various ethnic origin and with a long history of hard drug use. In addition to economic benefits for residents (crack sales, getting crack for free from visitors) and sometimes also for visitors, crack houses predominantly serve as a safe haven for drug use and as a social meeting place. Two types of crack houses were found: dealing houses (with ‘home sellers’) and home circuits (divided into ‘fixers’ who arrange or facilitate that crack is available, and ‘users-for-free’, who allow that crack is sold or delivered and used in their apartment, in exchange for a bit of crack). To reduce the risk of discovery and closure, residents take various measures, but less if they are not a legal resident of the apartment. In comparison with the Anglo-Saxon literature about crack houses, there is less ethnic segregation, a less aggressive atmosphere and less involvement with prostitution.


Drs. Petra Houwing
Drs. Petra Houwing is antropoloog. Zij was als veldonderzoeker verbonden aan het Bonger Instituut, Universiteit van Amsterdam en is nu cliëntmanager bij de GGD Haaglanden.

Alberto Oteo Pérez MSc
Alberto Oteo Pérez, MSc, is promovendus bij het Bonger Instituut, Universiteit van Amsterdam, en trainee bij het EMCDDA te Lissabon.

Prof. dr. Dirk J. Korf
Prof. dr. Dirk J. Korf is bijzonder hoogleraar criminologie en directeur van het Bonger Instituut, Universiteit van Amsterdam.
Artikel

From graffiti to pixação

Urban protest in Brazil

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2014
Trefwoorden Brazilian graffiti, pichação, pixação, criminalization, resistance
Auteurs Paula Gil Larruscahim
SamenvattingAuteursinformatie

    This paper explores the hypothesis that the process of rupture in Brazilian graffiti writer’s subculture resulting in different groups - pichadores, pixadores and grafiteiros - took place in two different, though complementary, stages. The first stage is the commodification of graffiti by successive media campaigns and its penal control by the state. The second stage - which may be considered as a side effect of the first one - consists of the emergence of a new transgressive pixação movement. Instead of merely writing or tagging their signatures and messages on the walls of the city, they claim the freedom of usage of the urban space and contest the importance that property has in the late modernity context.


Paula Gil Larruscahim
Paula Gil Larruscahim is promovenda binnen het Erasmus Mundus Doctoral Programme on Cultural and Global Criminology aan de Universiteit Utrecht en de University of Kent: www.dcgc.eu.
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