This article seeks to provide an introduction to art theft today. It is divided into sections that look at the context in which art is stolen, definitions of key terms, an explanation as to why the field is understudied and under-reported, and a brief history of the phenomenon. It also contains sidelines on actual developments like the theft of a Van Gogh painting from the Singer Laren Museum in the Netherlands as well as on the drop of art theft since the start of the Corona pandemic.

This article provides a short overview of art crime policing and gives some insights as to why art crime policing is an especially arduous task while specifically providing examples from the European Union (EU) and the United Kingdom (UK). The article focuses first on the detection of art crime, exploring why many crimes do not enter the criminal justice system. Here, the fact that art crimes are often not detected at all or, if they are, not reported to the police is discussed in some depth in particular with a view to art theft and forgeries. The article then addresses the investigation and prosecution of art crime cases in the EU and how they are facilitated and inhibited in various member states. Finally, the challenges and possible improvements at the European level are discussed and future directions of the fight against art crime are debated.