In this exploratory study, two questions are addressed. Firstly, examining police files on honour based violence (HBV), do we find conflicts that take place in asylum centers, and if so, what can we learn from those files? Secondly, to what extent can these police files provide insight into the role of HBV in the lives of refugees in the Netherlands? What are the possibilities and limitations and how can they be dealt with in future research?
We apply the importation and deprivation models within total institutions on asylum centers and zoom in on honour based conflicts within these centers. The conflicts revolved around family life and morality issues, and resulted in both threats and physical violence. Among younger victims, their choice of partner was the main stumbling block, while later in the course of life conflicts arose from divorces and new relationships. Distinguishing between importation and deprivation factors within these HBV cases turned out to be difficult for two reasons. Firstly, within Dutch policy HBV is primarily viewed as violence within (extended) families and often originating from conflicts regarding partner choice and morality. This focus corresponds to importation rather than deprivation. Secondly, many cases showed interaction between the two factors, for example the many different backgrounds of the inhabitants of the asylum center can be viewed as both importation and deprivation. Future research should look into (a combination of) different data sources to shed light on the role of deprivation, because deprivational factors are more susceptible for (short term) policy measures to help prevent unnecessary stress and causes of conflict, whether honour based or not.

In the traditional understanding of police culture as well as in the criticism against the use of the concept of ‘police culture’, not much attention has been paid towards the influence of the representation of police work and crime in the media. Although since the pioneering studies in the sixties and seventies of the last century it has been made clear that police work is not limited to dealing with crime and criminal justice, the mass media for decades have presented a completely different image: one of thrill seeking and hardcore action. Police officers themselves tend to ‘sensationalize’ their work. Police culture is no longer understood as a deterministic coping mechanism, but is rooted in active and constructive participation of police officers. As a consequence we must pay attention to representation of ‘the police’ by the media and ask ourselves how identity work by police officers is influenced by the representation of crime and the police in the (new) media.