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Tijdschrift Tijdschrift over Cultuur & Criminaliteit x Jaar 2014 x
Artikel

Hunting Worlds Turned Upside Down

Paulus Potter’s Life of a Hunter

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2014
Trefwoorden Art, green criminology, non-speciesism, human-animal relationships
Auteurs prof. dr. Piers Beirne en dr. Janine Janssen
SamenvattingAuteursinformatie

    Life of a Hunter (c.1647) is an extraordinary painting by the young Dutch artist Paulus Potter. Its fourteen panels tell the tale of a well-heeled gentleman who likes to hunt and to kill “game” and “exotic” animals. The hunting world is turned upside down when the animals capture the hunter and put him on trial. He is condemned to death, roasted alive and doubtless consumed by the very creatures who had earlier been his quarry. In this essay we try to interpret Potter’s painting. Is it an allegory of the chaotic politics of the mid-17th century Dutch Republic? Does it represent an early modern animal trial? Our tentative conclusion is that Life of a Hunter expresses a Montaignian-inspired moment of transition in cultural attitudes towards human-animal relationships: its restricted vision of animal cruelty is not against animal cruelty tout court and its inversion of two links in the great chain of being is very far from being altogether pro-animal.


prof. dr. Piers Beirne
Prof. dr. Piers Beirne is Professor of Sociology and Legal Studies in the Department of Criminology at the University of Southern Maine. Hij is de founding co-editor van het tijdschrift Theoretical Criminology en de auteur van tal van boeken waaronder Animal Abuse (2009, Rowman and Littlefield).

dr. Janine Janssen
Dr. Janine Janssen is hoofd onderzoek van het Landelijk Expertise Centrum Eer Gerelateerd Geweld van de Nederlandse politie en verbonden aan de vakgroep Strafrecht en Criminologie van de Vrije Universiteit in Amsterdam.
Artikel

From graffiti to pixação

Urban protest in Brazil

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2014
Trefwoorden Brazilian graffiti, pichação, pixação, criminalization, resistance
Auteurs Paula Gil Larruscahim
SamenvattingAuteursinformatie

    This paper explores the hypothesis that the process of rupture in Brazilian graffiti writer’s subculture resulting in different groups - pichadores, pixadores and grafiteiros - took place in two different, though complementary, stages. The first stage is the commodification of graffiti by successive media campaigns and its penal control by the state. The second stage - which may be considered as a side effect of the first one - consists of the emergence of a new transgressive pixação movement. Instead of merely writing or tagging their signatures and messages on the walls of the city, they claim the freedom of usage of the urban space and contest the importance that property has in the late modernity context.


Paula Gil Larruscahim
Paula Gil Larruscahim is promovenda binnen het Erasmus Mundus Doctoral Programme on Cultural and Global Criminology aan de Universiteit Utrecht en de University of Kent: www.dcgc.eu.
Artikel

Commodifying compliance? UK urban music and the new mediascape

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 1 2014
Trefwoorden street culture, Grime, frustration, defiance, resistance
Auteurs Dr. Jonathan Ilan
SamenvattingAuteursinformatie

    Subcultural theory and cultural criminology have traditionally viewed ‘underground’ youth movements as providing images of deviance/resistance which the cultural industries harvest to turn a profit. The logic follows that street and sub cultures imbue products with a ‘transgressive edge’ that increases their appeal within youth markets. This paper uses the example of UK ‘grime’ music to demonstrate how this dynamic cannot be viewed as applying universally in contemporary times. Where their street orientated content is censured, many grime artistes express a desire for commercial success which would ultimately emerge through muting their rhetorical links to crime and violence and explicitly championing ‘mainstream’ values. This case is used as an empirical cue to explore the use and critique of the concept of ‘resistance’ within cultural criminology and subcultural theory. The paper problematizes commodification of resistance discourses as they apply to the rugged culture of the streets and indeed its supposed ‘oppositional’ character where disadvantaged urban youth clearly embody and practice the logic of neoliberalism. It furthermore suggests that certain critiques of cultural criminology go too far in denying any meaning to criminality and subcultural practice beyond consumer desire. Ultimately, the concept of ‘defiance’ is suggested as a useful tool to understand the norms of and behaviours of the excluded.


Dr. Jonathan Ilan
Dr. Jonathan Ilan is universitair docent bij de School of Social Policy, Sociology and Social Research, University of Kent (UK). E-mail: j.ilan@kent.ac.uk
Artikel

To resist = to create? Some thoughts on the concept of resistance in cultural criminology

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 1 2014
Trefwoorden resistance, create, revolution, cultural criminology, transformation
Auteurs Dr. Keith Hayward en Dr. mr. Marc Schuilenburg
SamenvattingAuteursinformatie

    This article provides a theoretical analysis of the label ‘resistance’. It sets out from the premise that the notion of resistance, although it has been current in criminology for some time, is still vaguely defined. We argue that resistance is not just a negative term, but can also be seen as a positive and creative force in society. As such, the primary function of resistance is to serve as a solvent of doxa, to continuously question obviousness and common sense. In the process of resistance we distinguish three processes: invention, imitation and transformation. The third stage warrants deeper investigation within cultural criminology.


Dr. Keith Hayward
Dr. Keith Hayward is hoogleraar criminologie aan de School of Social Policy, Sociology and Social Research, University of Kent (UK). E-mail: k.j.hayward@kent.ac.uk

Dr. mr. Marc Schuilenburg
Dr. mr. Marc Schuilenburg is als universitair docent verbonden aan de sectie Criminologie van de Vrije Universiteit te Amsterdam. E-mail: m.b.schuilenburg@vu.nl
Artikel

‘Resistance Through Rituals’, ‘Policing the Crisis’ and the present conjuncture

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 1 2014
Trefwoorden conjuncture, neo-liberalism, hegemony, subcultures, exceptional state
Auteurs Dr. Tony Jefferson
SamenvattingAuteursinformatie

    This article deals with three questions. What did resistance mean in the 1970s and what does it mean today? Have the rituals of resistance changed over time? What is the status today of moral panic theory? These questions directly refer to ‘Resistance Through Rituals’ (1976) and ‘Policing the Crisis’ (1978). For that reason, one of the authors answers these key questions in a contemporary framework of hegemony, security and neoliberal politics, and points to the continuing relevance of the political and critical tradition of British cultural studies.


Dr. Tony Jefferson
Dr. Tony Jefferson is emeritus hoogleraar aan Keele University (UK). E-mail: tonyjefferson45@gmail.com
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