The article discusses the connection between Bauhaus, a modern art and architecture school founded in 1919, and National Socialism. The central question is to what extent modern ideas about art and culture, architecture and modern life went hand in hand with the emerging and assertive National Socialist ideas. In the review of an art and architecture collection, activities of famous Bauhaus figures are traced in order to discuss the Bauhaus myth. Accordingly, it must be concluded that neutrality of art and architecture does not exist and Bauhaus modernity was not incompatible with National Socialism.

In recent years, there has been a shift within animal ethics, in which animals are no longer seen purely as passive suffering subjects, but attention is also being paid to their role as agents. In this essay, we look at what that agency means and argue that in the Anthropocene animals are actually victimized in two ways: because their agency is literally curtailed by human actions and because at the knowledge level agency is taken away from them: we see them as victims even when they are not. In this text, we focus on zoo animals to illustrate how this works.