Images can honour and dishonour people. But they only do so when that specific meaning is assigned to the image. This article shows that the meaning of images is dynamic and subjective in nature, using three analytical dimensions: content, format and context. These three dimensions are explored in two series of images: painted portraits of deceased American soldiers and photographs of posters of Palestinian suicide bombers. Whether these images are honouring or dishonouring the people portrayed depends on the viewer who constructs their meaning. This not only gives the creator and distributor a (moral) responsibility, but the viewer as well.

Honour-based violence (HBV) is a tight knot of conflict, gender and ethnicity. It is also the sensational subject of many bestselling books, in which mostly female victims of HBV tell their life stories. Researchers of feminism and multiculturalism argue that migrant women are often presented as passive victims, and migrant men as violent perpetrators. In our first article for PROCES on this subject, we analysed ten (auto)biographies of female victims of HBV, using theoretical insights on stigmatization. After the publication of this article, we continued to collect these true life stories. In our current article, we analyse two new aspects: how do these stories find their way to the Internet, and are there any HBV stories by male authors? Do stories by male authors shed a different light on honour conflicts and on stereotypes of culture and gender?

In the Netherlands honour based violence is often associated with cases that take place in a Turkish context. But honour codes can be found all over the world. In order to develop a more profound understanding of honour based violence it is therefore important to study this phenomenon in different social and cultural circumstances. In this contribution attention is paid towards the experiences of young men from Curaçao that live on the fringes of Dutch society. How do they perceive honour and the relationship with the use of violence?

This article explores the ways in which the work of the police is influenced by ideas about gender. Even though there is a long tradition of doing research about selectivity of the control agencies of criminal law, criminology has hardly had any attention for this topic. The main purpose of this article is to find out the meaning of the theoretical concept of gender for the social control of crime by the police and to give some examples for illustration. First of all, the article takes into consideration any crucial aspects of the process of selectivity.