This special issue introduces the topic of cybercrime to Dutch criminology. First, it raises the major substantive issues that computer technology involves for criminology, in terms of crime volume, people involved in crime, and the ways that crimes are committed. Also, it deals with research literature on cybercrime on various topics, such as survey methodology, crime prevention and Internet applications open to justice professionals in the fight against crime. Overall, the article concludes that much research remains to be done in this relatively new field.

Various disciplines have a longstanding tradition of studying musical genres and the various functions of music, but few criminologists focus on music in their scientific work. This article discusses various relationships between music, crime and culture. We discuss the hypothesis of ‘criminogenic’ music genres, and countless examples of criminalisation of music. We point at the stilistic importance of music genres for subcultures and social movements, and we raise ethical aspects: music can also be used as an instrument of (symbolic) violence, as a punishment or even as torture. Finally, we discuss other functional uses of music: as a vehicle for human emotions, for therapeutic purposes, to influence the behavior of employees and consumers, to enhance feelings of public safety, and to prevent crime and nuisance.

This article deals with the performance of ‘street credibility’. A dramaturgical analysis of the lyrics and videos of 15 rap artist from The Hague sheds light on the various ways they try to achieve a credible street reputation as rappers. In their frontstage presentation they highlight their street knowledge, strike violent poses, and claim affiliation to certain infamous local gangs or neighborhoods. Backstage, however, these performances are being deconstructed by other actors who participate in the local street culture and who form a critical, metaphysical audience of the presentations of the rappers.

In this article I will explore the concept of transgression within the realm of rock music using the biography of Lou Reed, known for such songs as ‘Walk on the Wild Side’ and ’I’m Waiting for the Man’. I discuss Lou Reed’s social transgressions as a reaction to and resistance toward institutions of social control such as family, media and the music industry, which stigmatized him as an outsider. This study, which is based on secondary material, such as biographies, interviews and songs, shows how Lou Reed transgressed social norms with respect to drugs, sex, and gender.

While reflecting on gender issues transgender persons and their issues are often neglected. Government institutions on various levels don’t know how to handle their gender nonconformity as neither male nor female. Also they are often targets of inappropriate police and judicial measures. Transgender persons are often sceptical and cautious when interacting with those professionals: a fair and respectful treatment is not to be expected. In this article the author takes on to explore this blind spot. She presents the results of a survey on the transgender discrimination and violence by police and judicial institutions in Germany. The author points out that this is a result of the ongoing structural discrimination of gender non-conform persons in a binary gender system. This topic is part of her PhD thesis on the experience of discrimination and violence of gender non-conform persons in general. Her qualitative study is based on narrative interviews and a group discussion with gender non-conform persons in Germany.

Irregular immigrants were disproportionally present in jihadi movements in the Netherlands between 2001 and 2005. By analyzing closed police files and interviewing imams and personnel from Asylum Seeker Centers and Detention Centers, this paper claims that the attractiveness of jihadi movements can be explained by a combination of pragmatic and ideological factors. Jihadi movements are able to fulfil the needs of the irregular immigrants in a pragmatic way, in which crime is an important feature. In addition, the results show that irregular immigrants are searching for meaning, which the jihadi movements can offer. Nonetheless, the salafi-jihadi ideology does not seem to be the core factor to most of the illegally residing immigrants that expresses the attractiveness of the jihadi movements.

As we move towards constructing narratives regarding the future outlook of global governance, constitutionalisation among them, the hope is that whatever shape this world order takes it will, somehow, forestall or hinder the possibility of a hegemonic order. This article tries to deconstruct the notion of hegemony and claims that as it currently stands it is useless in doing its critical work since every successful narrative will end up being hegemonic because it will employ the ‘hegemonic technique’ of presenting a particular value (or value system), a particular viewpoint, as universal or at least applying to those who do not share it. The only way for a narrative in this discourse not to be hegemonic would be for it to be either truly universal and find a perspective that stems from nowhere and everywhere – a divine perspective – or purely descriptive; the first being an impossibility for fallible beings and the other not worth engaging with since it has nothing to say about how things should be structured or decided in a specific situation.

David Brotherton – professor of Sociology at John Jay College of the City University of New York – was named Critical Criminologist of the year in 2011 and is known for his work on the Almighty Latin King and Queen Nation and his research on Dominican deportees. By using excerpts of a lengthy interview with Brotherton, a personal and detailed account is presented which sheds light on the roots of his work, his (scientific) influences and especially his highly engaged methods of critical ethnography.